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Herausgeber: 
  • Phyllis Webb
  • Laurie White
  • Diana Hayes
  • Stephen Collis
  • Betsy Warland
  • A Dream in the Eye: The Complete Paintings and Collages of Phyllis Webb 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  September 2023  
    Genre:  Soziologie 
     
    ART / Canadian / ART / Mixed Media / History of Art / Other graphic or visual art forms / Poetry / POETRY / Canadian / General / POETRY / Women Authors
    ISBN:  9781772014334 
    EAN-Code: 
    9781772014334 
    Verlag:  Ingram Publishers Services 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 254 mm / B 203 mm / D 10 mm 
    Gewicht:  635 gr 
    Illustration:  84 paintings and 75 collages, farbige Illustrationen 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    First collection of visual work by renowed Canadian poet Phyllis Webb *

    A Dream in the Eye presents colour reproductions of the paintings and photocollages of renowned poet Phyllis Webb. A Governor General's Award-winning poet and a member of the Order of Canada, Webb was a major Canadian cultural figure from the 1950s through the 1980s, publishing ten collections of poetry and prose and co-founding the CBC Radio program Ideas (in 1965). When "words abandoned" her in the early 1990s and she was no longer able to write, she took up photography, photocollage, and eventually painting. Webb's visual work - a surprising "late style" (the work of an independent artist in her sixties, seventies, and eighties) - is in many ways a response to and extension of concerns explored in her poetry: the natural world of the West Coast, global political strife, the artist's struggle to express themself. All of this is explored in her more formalist collages and expressive, abstract paintings.

    In addition to Webb's seventy-four paintings and eighty collages, A Dream in the Eye includes introductory material by the book's editor Stephen Collis and art historian and curator Laurie White, as well as supplementary material including some of Webb's own reflections on her visual work, an essay by Betsy Warland, and a selection of poems written in response to Webb's paintings by her long-time friend Diana Hayes.

      



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