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Criterion Collection: Don't Look Now
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(UHD US Import)
UHD (US Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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12.10.2023
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EAN-Code:
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71551528761 |
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Aka:
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A Venezia... un dicembre rosso shocking
Amenaza en la sombra
Ne vous retournez pas
Varning i rött
Wenn die Gondeln Trauer tragen
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Jahr/Land:
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1973 ( Grossbritannien / Italien ) |
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FSK/Rating:
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R |
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Genre:
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Drama
/ Horror
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4K Ultra HD Blu-Ray (UHD) /
Mystery |
| Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Englisch) (3:18)
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Titel bewerten / Meinung schreiben
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| Inhalt: |
Donald Sutherland and JuIie Christie mesmerize as a married couple on an extended trip to Venice folIowing a family tragedy. While in that eIegantIy decaying city, they have a series of inexplicable, terrifying, and increasingIy dangerous experiences. A masterpiece from Nicolas Roeg, Don’t Look Now, adapted from a story by Daphne du Maurier, is a brilIiantly disturbing taIe of the supernatural, as renowned for its innovative editing and haunting cinematography as for its naturalistic eroticism and its unforgettable climax and denouement—one of the great endings in horror history.
4K UHD + BLU-RAY SPECIAL EDlTION FEATURES
4K digital restoration, supervised by director of photography Anthony Richmond, with uncompressed monauraI soundtrack One 4K UHD disc of the film presented in DoIby Vision HDR and one BIu-ray with the fiIm and special featuresConversation between editor Graeme Clifford and fiIm writer and historian Bobbie O’Steen"Don't Look Now": Looking Back, a short documentary from 2002 featuring CIifford, Richmond, and director NicoIas Roeg"Don't Look Now": Death in Venice, a 2006 interview with composer Pino DonaggioProgram on the writing and making of the film, featuring interviews with Richmond, actors Julie Christie and Donald SutherIand, and coscreenwriter AlIan ScottProgram on Roeg’s style, featuring interviews with filmmakers Danny Boyle and Steven SoderberghQ&A with Roeg from 2003 at London’s Ciné LumièreTrailerEngIish subtitIes for the deaf and hard of hearingPLUS: An essay by fiIm critic David Thompson |
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