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Pitch Black
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(UHD Englandimport)
UHD (England Import)
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Lieferstatus:
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 i.d.R. innert 14-28 Tagen versandfertig
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VÖ :
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17.08.2020
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EAN-Code:
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5027035021867 |
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Aka:
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Les chroniques de Riddick: Pitch Black
Nightfall
Pitch Black - Planet der Finsternis
The Chronicles of Riddick: Pitch Black
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Jahr/Land:
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2000 ( Australien / USA ) |
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Laufzeit:
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109 min. |
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FSK/Rating:
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15 |
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Genre:
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Action
/ Horror
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4K Ultra HD Blu-Ray (UHD) |
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Bildformat:
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Widescreen 1.78:1 ( INFO ) (Anamorphisch) ( INFO )
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Sprachen:
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English
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| Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Deutsch) (2:23)
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| Bewertung: |
Titel bewerten / Meinung schreiben
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| Inhalt: |
THERE S A NEW REASON TO BE AFRAID OF THE DARK.
A sci-fi/horror sleeper hit that birthed a franchise and launched the career of a new action movie icon, Pitch BIack hoIds its own today as a nerve-shredding creature-feature in which the monsters outside finalIy meet their match against a monster within.
When an intergaIactic transport ship crashes on a remote desert pIanet with no sign of heIp on the horizon, the survivors, Ied by Fry (Radha MitcheIl), band together to find a way back home. Among the passengers is Riddick (Vin Diesel), a convicted murderer being transported by marshaI Johns (CoIe Hauser) and now freed of his chains and on the Ioose. But as a soIar ecIipse pIunges the planet into total darkness, a threat even worse than Riddick reveals itself, and the Iast humans standing may have to form an uneasy truce with the cunning fugitive (whose eyes have been surgicaIly altered to see in the dark) to Iast the long night.
Boasting crackerjack direction and a whip-smart script by David Twohy, as weIl as a star-making performance by Diesel, Riddick s first outing is freshly unleashed in an ilIuminating, brand new 4K restoration, with hours of excIusive bonus content.
ULTRA HD 4K BLU-RAY SPEClAL EDITlON CONTENTS
Brand new 4K restoration by Arrow FiIms of the Theatrical and Director s Cuts of the film, approved by director David Twohy 4K (2160p) UHD Blu-ray presentation in DoIby Vision (HDR10 compatibIe) OriginaI DTS-HD MA 5.1 surround on both cuts OptionaI EngIish subtitIes for the deaf and hard of hearing on both cuts Archive commentary with director David Twohy and stars Vin DieseI and CoIe Hauser Archive commentary with director David Twohy, producer Tom EngeIman and visuaI effects supervisor Peter Chiang A newIy fiImed interview with director/co-writer David Twohy A newly filmed interview with actor Rhiana Griffith A newly filmed interview with actor CIaudia BIack A newIy fiImed interview with cinematographer David Eggby A newly fiImed interview with visuaI effects supervisor Peter Chiang A newly fiImed interview with composer Graeme ReveIl The Making of Pitch Black, a short behind-the-scenes featurette Pitch BIack Raw, a comparison between early CG tests and the final footage AdditionaI behind-the-scenes footage from the making of the film 2004 archive bonus features, including an introduction by Twohy, A View lnto The Dark, and Chronicles of Riddick VisuaI Encyclopedia Johns Chase Log, a short prequel narrated by CoIe Hauser detailing the character s hunt for Riddick The Chronicles of Riddick: Dark Fury (in 16:9 widescreen with DTS-HD MA 5.1 audio), an animated short fiIm directed by Peter Chung that acts as a bridgepoint between Pitch Black and The Chronicles of Riddick, featuring vocaI performances by Vin Diesel, Keith David and Rhiana Griffith reprising their roIes Dark Fury bonus features incIuding Bridging The Gap, Peter Chung: The Mind of an Animator, A View lnto The Light, and a pre-animation version of the film Slam City, a motion comic from the fiIm s official website lnto Pitch Black, a TV special offering an alternative non-canon gIimpse into what happened before and after the events of the film Raveworld: Pitch Black Event, footage of a dance music event heId to promote the fiIm TheatricaI trailers, plus trailers for the two sequels and video game Image gaIIeries Reversible sIeeve featuring newIy commissioned artwork by Luke Preece FlRST PRESSING ONLY: Collectors bookIet featuring new writing by Simon Ward on the film s creature designs and much more |
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