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Herausgeber: 
  • Irene Lehmann
  • Pia Palme
  • Sounding Fragilities: An Anthology 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   i.d.R. innert 4-7 Tagen versandfertig
    Veröffentlichung:  Juni 2022  
    Genre:  Musik 
    ISBN:  9783955931292 
    EAN-Code: 
    9783955931292 
    Verlag:  Wolke Verlagsges. Mbh 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 237 mm / B 159 mm / D 22 mm 
    Gewicht:  626 gr 
    Seiten:  311 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Sounding Fragilities enacts a polyphony of writing on contemporary composition, music and performing arts in relation to music theatre. Co-edited by a theatre and performance scholar and by a composer and artistic researcher, this anthology considers its field of investigation through the lens of positionalities. Irene Lehmann and Pia Palme invite readers into intimate encounters with an artist's practice, feminist and queer perspectives, and personal explorations into aspects of musicology, theatre studies, technology and ecology. By presenting female* composers who write with/through/about their own practice, Sounding Fragilities is a remarkable contribution to an interdisciplinary debate around the agency of artistic research. With this synthesis, the editors evaluate how moving beyond the binary of art and science reveals the rich yet fragile territories of artistic knowledge-production and literacy in music theatre. Sounding Fragilities. An Anthology brings together essays, discussions and interventions on contemporary music, dance and music theatre to offer a polyphony of new approaches to listening, watching, composing and performing. Artistic and academic researchers present reflections and insights into the fragilities of artistic materials, collaborations and the communities that build around live performances. Challenging the idea of isolated composers, choreographers, audience members and academic researchers, they stress instead the interconnectedness of these positions as indispensable elements of thriving performance and research. This feature of all live performance is envisaged by several of the book's contributors as linked to political, democratic thought and ecological or feminist thinking. Sounding out the relationality, brittleness, fragility, transitoriness, and beauty of live performance, this anthology stresses the urgency of coming together and interacting as a foundation for human and political relations; an urgency intensified by the current overlapping crises in politics, health and ecology.

      



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