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Herausgeber: 
  • Imelda Whelehan
  • Meredith Nash
  • Reading Lena Dunham’s Girls: Feminism, postfeminism, authenticity and gendered performance in contemporary television 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  August 2018  
    Genre:  Architektur, Archäologie, Kunst 
     
    American Culture / B / Communication / Cultural Studies / Cultural Theory / Culture—Study and teaching / Film and Television Studies / Gender Studies / Gender studies, gender groups / Literature, Cultural and Media Studies / Media and Communication Theory / Media Studies / Motion pictures and television / Screen Studies / Sociology / The Americas / United States—Study and teaching
    ISBN:  9783319850276 
    EAN-Code: 
    9783319850276 
    Verlag:  Springer Nature EN 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 210 mm / B 148 mm / D  
    Gewicht:  354 gr 
    Seiten:  255 
    Illustration:  XI, 255 p. 3 illus. in color., farbige Illustrationen 
    Zus. Info:  Previously published in hardcover 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    In this book, leading international and emerging scholars consider the mixed critical responses to Lena Dunham's TV series Girls and reflect on its significance to contemporary debates about postfeminist popular cultures in a post-recession context. The series features both familiar and innovative depictions of young women and men in contemporary America that invites comparisons withSex and the City.  It aims for a refreshed, authentic expression of postfeminist femininity that eschews the glamour and aspirational fantasies spawned by its predecessor. The authors of this volume discuss the contemporary scholarship on Girls, from its representation of post-millennial gender politics to revulsion and repugnance at depictions of the messiness and imperfections of sex, embodiment, and social interactions. Topics covered by the chapters include Dunham's privileged role as author/auteur/actor, sexuality, body consciousness, millennial gender identities, the politics of representation, neoliberalism, and post-recession society.  This book provides diverse and provocative critical responses to the show and to wider social and media contexts, and contributes to a new generation of feminist scholarship with a powerful concluding reflection from Rosalind Gill. This work will appeal to those interested in feminist theory, identity politics, popular culture, and media.
      
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