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Jumping the Color Line: Vernacular Jazz Dance in American Film, 1929–1945
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(Buch) |
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Inhalt: |
With a majority of examples taken from marginal film forms, such as shorts and B movies, the book highlights their role in disseminating alternative images of racial and gender identities as embodied by dancers - images that were at least partly at odds with those typically found in major Hollywood productions. |
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