"Susanne Schmid displays a very different form of community in her scholarly British Literary Salons of the Late Eighteenth and Early Nineteenth Centuries, which constitutes a piece of highly impressive archival research. . This is an impressive body of research, which opens a new sphere within Romantic metropolitan and cosmopolitan culture." (The Year's Work in English Studies, Vol. 94, 2015)

"Schmid's highly readable work will be of interest to scholars of cultural history, literature, andgender studies alike. It brings together an impressive range of ideas, based on close analyses of rich seams of archival material, as well as hitherto overlooked non-canonical literature, to present a vibrant account of how British women actively harnessed the potential of the salon as a social institution to engage in the political, intellectual, and cultural life of their day." - International Journal of English Studies

"Susanne Schmid's study . . . is part of a larger and continuing project of reviving the memory of influential women during a period when female participation in public life was severely constrained." - Times Literary Supplement

"Susanne Schmid provides excellent accounts of the groups that formed around Mary Berry, Lady Holland, and the Countess of Blessington, reading the social texts of the salons along with the works produced from within them." - Studies in English Literature

"Schmid's highly readable work will be of interest to scholars of criminal history, literature and gender studies alike. It brings together an impressive range of ideas, based on close analyses of rich seams of archival material, as well as hitherto overlooked non-canonical literature, to present a vibrant account of how British women actively harnessed the potential of the salon as a social institution to engage in the political, intellectual and cultural life of their day." - Anglistik