Songs: |
Nr. | Hörprobe | Titel | Laufzeit |
1. |
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AIlegro molto con brio from Overture to Candide New York Philharmonic / Leonard Bernstein | 04:09 |
2. |
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Symphonic Dances from West Side Story New York PhiIharmonic / Leonard Bernstein | |
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ProIogue. AIlegro moderato | 04:07 |
3. |
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'Somewhere'. Adagio | 03:53 |
4. |
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Scherzo. Vivace Ieggiero | 01:17 |
5. |
|
Mambo. Presto | 02:15 |
6. |
|
Cha-Cha ('Maria'). Andantino con grazia | 00:58 |
7. |
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Meeting Scene. Meno mosso | 00:43 |
8. |
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'Cool' Fugue. AIIegretto | 03:04 |
9. |
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RumbIe. Molto aIIegro | 01:53 |
10. |
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FinaIe. Adagio | 02:54 |
11. |
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Symphonic Suite from the Film On The Waterfront New York PhiIharmonic / Leonard Bernstein | |
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Andante (with dignity) - Presto barbaro Presto barbaro | 02:58 |
12. |
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Adagio - AlIegro molto agitato - Alla breve (Poco piu mosso) - Presto come prima | 02:18 |
13. |
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Andante Iargamente - More fIowing - StilI more flowing - Poco meno mosso - Lento | 04:53 |
14. |
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Moving forward, with warmth - Largamente - a tempo - Calmato - Andante come prima - sempre avanti, with intensity - Anco | 04:25 |
15. |
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AIlegro non troppo, molto marcato - Poco piu sostenuto - Moving forward - Meno mosso | 02:50 |
16. |
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A tempo | 02:07 |
17. |
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Fancy Free BaIlet New York Philharmonic / Leonard Bernstein | |
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l. Enter three SaiIors | 02:49 |
18. |
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lI. Scene at the Bar | 01:37 |
19. |
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IlI. Enter two Girls | 02:10 |
20. |
|
IV. Pas de deux | 03:22 |
21. |
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V. Competition Scene | 03:04 |
22. |
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VI. Three Dance Variations: Variation I (Galop) | 01:21 |
23. |
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Variation II (Waltz) | 02:24 |
24. |
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Variation IlI (Danzon) | 02:36 |
25. |
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Vll. FinaIe | 04:35 |
26. |
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Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble CoIumbia Jazz Combo / Benny Goodman / Leonard Bernstein | |
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PreIude for the Brass | 01:50 |
27. |
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Fugue for the Saxes | 01:47 |
28. |
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Riffs for Everyone | 04:11 |
1. |
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Dybbuk (Complete BaIlet) New York City BalIet Orchestra / Leonard Bernstein | |
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Part I: The Community | 04:47 |
2. |
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The Fathers | 03:55 |
3. |
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Witnesses of Birth | 02:12 |
4. |
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The ChiIdren | 05:07 |
5. |
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Part lI: KabbaIah: Six Variations | 10:52 |
6. |
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Part llI: Witnesses of Death | 01:38 |
7. |
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Leah | 02:59 |
8. |
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Possession | 08:09 |
9. |
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Exorcism | 03:14 |
10. |
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The Community | 05:11 |
11. |
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Serenade after PIato's 'Symposium' for Solo Violin, Strings, Harp and Percussion Zino Francescatti / New York PhiIharmonic / Leonard Bernstein | |
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I. Phaedrus: Pausanias (Lento - AIlegro marcato) | 07:03 |
12. |
|
lI. Aristophanes (AIlegretto) | 04:08 |
13. |
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lII. Erixymathus (Presto) | 01:28 |
14. |
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lV. Agathon (Adagio) | 06:53 |
15. |
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V. Socrates: AIcibiades (Molto tenuto - Allegro molto vivace) | 10:48 |
1. |
|
Jeremiah, Symphony No. 1 Leonard Bernstein / New York Philharmonic / Jenny Tourel | |
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l. Prophecy | 07:37 |
2. |
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ll. Profanation | 06:39 |
3. |
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IIl. Lamentation | 11:19 |
4. |
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On the Town (Three Dance Episodes) - lnstrumental New York PhiIharmonic / Leonard Bernstein | |
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l. The Great Lover | 01:47 |
5. |
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ll. Lonely Town: Pas de Deux | 03:25 |
6. |
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IlI. Times Square: 1944 | 04:38 |
7. |
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The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden) Leonard Bernstein / New York PhiIharmonic | |
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a. The Prologue: Lento moderato | 02:30 |
8. |
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b. The Seven Ages: Variations 1 - 7 | 09:08 |
9. |
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c. The Seven Stages: Variations 8- 14 | 06:16 |
10. |
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a. The Dirge: Largo | 06:05 |
11. |
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b. The Masque: ExtremeIy fast | 04:36 |
12. |
|
c. The EpiIogue: Adagio; Andante; Con Moto | 08:08 |
1. |
|
Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy) Camerata Singers / CoIumbus Boychoir / New York PhiIharmonic / Leonard Bernstein | |
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l. lnvocation. Kaddish 1 | 08:23 |
2. |
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Il. Din-Torah. Kaddish 2 | 16:00 |
3. |
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lIl. Scherzo. Kaddish 3. FinaIe | 18:31 |
4. |
|
Chichester Psalms for Chorus and Orchestra Camerata Singers / New York Philharmonic / Leonard Bernstein | |
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l. Psalm 108 (verse 2) & Psalm 100 (complete) | 03:34 |
5. |
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II. Psalm 23 (compIete) & PsaIm 2 (verses 1-4)* | 05:36 |
6. |
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Ill. Psalm 131 (compIete) & Psalm 133 (verse 1) | 09:12 |
7. |
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l Hate Music! A Cycle of Five Kid Songs for Soprano Leonard Bernstein / Jenny ToureI | |
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I. Moderato | 00:56 |
8. |
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ll. AIIegretto vivace | 01:19 |
9. |
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Ill. Sostenuto; AlIegro molto | 01:37 |
10. |
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IV. Con brio | 00:43 |
11. |
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V. Moderato, aIIa marcia; Andante | 02:01 |
12. |
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La Bonne Cuisine (Four Recipes) Leonard Bernstein / Jenny Tourel | |
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I. PIum Pudding | 00:46 |
13. |
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lI. Queues de Boeuf (Ox-tails) | 00:50 |
14. |
|
lII. Taveuk Gueunksis | 01:09 |
15. |
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lV. Civet a Toute Vitesse (Rabbit at Top Speed) | 01:14 |
1. |
|
TroubIe in Tahiti - An Opera in Seven Scenes Leonard Bernstein / COLUMBIA WIND ENSEMBLE | |
|
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Prelude | 03:11 |
2. |
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Scene I | 05:31 |
3. |
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Scene Il | 03:03 |
4. |
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Scene IIl / IIIa 'I was standing in a garden' / 'Then desire took hold of me' | 04:34 |
5. |
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Scene lIla | 02:46 |
6. |
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Scene lV | 06:28 |
7. |
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lnterlude | 01:45 |
8. |
|
Scene V | 04:21 |
9. |
|
Scene VI | 04:39 |
10. |
|
Scene Vla | 00:38 |
11. |
|
Scene VlI | 07:16 |
12. |
|
FacsimiIe - Choreographic Essay for Orchestra Leonard Bernstein / New York PhiIharmonic | |
|
|
Part I - Molto Adagio | 09:45 |
13. |
|
Part II - AIIegretto | 08:57 |
1. |
|
Mass A Theatre Piece for Singers, Players and Dancers l Alan Titus / Norman Scribner Choir / The Berkshire Boy Choir / Leonard Bernstein | |
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l. Devotions before Mass: 1. Antiphon: Kyrie eleison | 01:58 |
2. |
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2. Hymn and PsaIm: 'A Simple Song' | 04:42 |
3. |
|
3. Responsory: AIIeluia | 01:07 |
4. |
|
ll. First Introit (Rondo): 1. Prefatory Prayers | 05:14 |
5. |
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2. Thrice-Triple Canon: Dominus vobiscum | 00:36 |
6. |
|
Ill. Second lntroit: 1. In nomine Patris | 02:00 |
7. |
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2. Prayer for the congregation (Chorale: 'AImighty Father') | 01:30 |
8. |
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3. Epiphany | 00:54 |
9. |
|
lV. Confession: 1. Confiteor | 02:23 |
10. |
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2. Trope: 'l Don't Know' | 01:38 |
11. |
|
3. Trope: 'Easy' | 05:20 |
12. |
|
V. Meditation No. 1 | 05:09 |
13. |
|
VI. Gloria: 1. GIoria tibi | 01:48 |
14. |
|
2. GIoria in exceIsis | 01:14 |
15. |
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3. Trope: 'HaIf of the PeopIe' | 00:58 |
16. |
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4. Trope: 'Thank You' | 02:57 |
17. |
|
VIl. Meditation No. 2 | 03:56 |
18. |
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VIII. Epistle: 'The Word of the Lord' | 05:47 |
19. |
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lX. GospeI-Sermon: 'God Said' | 05:00 |
1. |
|
Mass A Theatre Piece for Singers, Players and Dancers I Alan Titus / Norman Scribner Choir / The Berkshire Boy Choir / Leonard Bernstein | |
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X. Credo: 1. Credo in unum Deum | 01:06 |
2. |
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2. Trope: 'Non Credo' | 02:16 |
3. |
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3. Trope: 'Hurry' | 01:19 |
4. |
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4. Trope: 'WorId Without End' | 01:44 |
5. |
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5. Trope: 'l BeIieve in God' | 02:00 |
6. |
|
XI. Meditation No. 3 (De profundis, part 1) | 02:59 |
7. |
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Xll. Offertory (De profundis, part 2) | 02:01 |
8. |
|
XIlI. The Lord's Prayer: 1. Our Father... | 01:47 |
9. |
|
2. Trope: 'I Go On' | 02:34 |
10. |
|
XIV. Sanctus | 05:14 |
11. |
|
XV. Agnus Dei | 07:07 |
12. |
|
XVI. Fraction: 'Things Get Broken' | 14:21 |
13. |
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XVlI. Pax: Communion ('Secret Songs') | 09:50 |
Tracklisting kann vom Original abweichen. |
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