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Leonard Bernstein
Leonard Bernstein: Bernstein In Harvard 1973 (Hörbuch Engl.) (13 Disc) 
 

(Musik CD)
 
Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


Übersicht
 
Lieferstatus: 
 Vorankündigung
Veröffentlichung: 
ANGEKÜNDIGT (17.08.2018) - (Noch 55 Tage)
Laufzeit: 
759:42 
Genre: 
Klassik 
Bewertung: 
Keine Bewertung vor Veröffentlichung möglich.
Songs:
Nr.HörprobeTitelLaufzeit
1. The Norton Lectures 1973: "The Unanswered Question" Teil 1: Musical PhonoIogy 
First of all...02:00
2. Perhaps the principal thing...01:39
3. Let me start...00:52
4. This is not just a sentimental anecdote...01:52
5. From this time...02:29
6. But how do we investigate...02:51
7. Now you can see...01:28
8. UniversaIity is a big word...02:31
9. Other linguists...02:46
10. I began by imagining myself...02:12
11. WeIl, then l thought...02:06
12. Let's make a simple analogy...02:03
13. Maybe even a divine one...01:32
14. But where do these notes come from...02:22
15. This acousticaI phenomenon...02:08
16. AIl these upper notes...01:52
17. The first overtone...02:33
18. But more of that later...01:56
19. But Iet's not make the mistake...02:20
20. And that's how the tempered cIavichord...02:12
21. Now this is a substantive universaI...02:01
1. But let's be carefuI...01:43
2. And there is aIways that blue note...01:36
3. But even these tweIve tones...01:50
4. I trust you realize...02:16
5. And again comes a great leap...02:31
6. Now this means...01:38
7. This is not to say that there were no drastic changes...02:28
8. But meanwhiIe we are stiII in the Golden Age...02:55
9. So, we're in the midst of a chromatic adventure...01:27
10. And alI by those progressions...01:34
11. Now, l must point out...01:56
12. Do you reaIize...01:32
13. Sinfonie Nr. 40 g-moll KV 550 
1. MoIto alIegro08:19
14. 2. Andante08:30
15. 3. Menuett: AIlegretto - Trio04:37
16. 4. AIlegro assai06:09
1. The Norton Lectures 1973: "The Unanswered Question" Teil 2: Musical Syntax 
Every once in a while...01:43
2. Last week...02:24
3. Amen, says Noam Chomsky...02:09
4. I suppose what Chomsky is reaIly after...02:49
5. So, Iet's puII up our socks...01:36
6. All right, let's try another one...02:08
7. Why am I taking your time...02:11
8. WeII then...01:47
9. l think it foIlows...01:52
10. But first, what are these principles...01:49
11. TransformationaI grammar...01:35
12. But now just think of that sentence...01:01
13. Since this is not a linguistics class...01:49
14. Take the passive transformation...01:50
15. WeII, it hasn't brought us there...01:51
16. Good - now just as three notes are linked together...01:43
17. Now Iet's go back...01:48
18. Now we are ready...02:27
19. Now I want to take you...02:05
20. WelI, transformation, deletion, embedding, pronominalization...01:48
21. l am sure I don't have to troubIe...02:16
22. Here I go...01:30
23. I have asked myseIf...01:54
24. I became so fascinated...01:43
1. Let's take one such utterance...02:00
2. Now imagine...01:29
3. Now Iet's see...02:32
4. Mozart's G minor Symphony...01:21
5. Now our job is...02:26
6. That introductory accompaniment...01:26
7. What does this three-note design mean...01:55
8. The reason I pick symmetry...02:12
9. Now from here on...02:04
10. And once again, we are back...01:10
11. By far the chief transformational principle...01:42
12. You see, one of the great faiIings...01:57
13. Most people hearing Mozart's opening...01:45
14. So what, you ask...01:58
15. And if you are stiIl not convinced...02:32
16. These ambiguities...01:20
17. For instance, in this same first movement...01:59
18. So alI these syntactic transformations of the same materiaI...01:14
19. He talks about this sonnet...01:54
20. Because now it's time...01:35
21. But now Iet's listen to...02:08
22. Listen to the whoIe exposition...02:02
23. Development coming up...02:07
24. The circIe of fifths again...02:02
25. And that was aII one single sentence...01:17
1. The Norton Lectures 1973: "The Unanswered Question" TeiI 3: MusicaI Semantics 
The other day...02:37
2. The first would show us one meaning...01:12
3. Think of this famous passage...02:22
4. A Iinguist would say...01:52
5. WeII, l repIied, Chomsky would say...02:05
6. Of course, that last metaphorical leap...01:50
7. Terrific, said my blonde inquisitor...01:44
8. In fact, when you think of the number...02:16
9. AII right, first Iet's Iook briefly...02:41
10. Playing, that's the word...01:47
11. But does this Stravinskian game concept...02:31
12. There are three specific ways...02:02
13. Now, having defined my usages of metaphor...01:58
14. And here we are in trouble...01:05
15. Are we feeling what Beethoven supposedIy feIt...01:44
16. We wilI never know...02:22
17. Now, if we accept this generaI idea...01:40
18. In our last Iecture...01:47
19. We aIl recognize antithesis...01:46
20. It can and it does...01:24
21. And again, as in the poem...02:13
22. ln fact, it has been authoritatively suggested...02:46
23. We can expand the idea...02:51
24. What do you suppose...02:51
25. What's seriously striking...02:16
26. So why the Pastorale in this Iecture...02:41
27. Let's begin at the beginning...01:40
28. But what of the more obvious melodic materiaI...01:47
29. But to deveIop how...02:37
30. Now we have an insight...02:12
31. But wait...01:53
32. But why were just those two notes added...02:05
1. The metaphor arises...02:47
2. But in the ensuing four bars...02:10
3. But that's not the main event...02:04
4. WelI, that's the beginning...01:58
5. That's one of the questions...01:59
6. This interference of the two frequencies...02:04
7. But what are we to say...01:40
8. lt is to be found...01:38
9. Now that's one way of Iooking...02:02
10. At this point...01:36
11. Even if you can succeed...02:41
12. Sinfonie Nr. 6 F-Dur op. 68 "PastoraIe" 
1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (AIlegro ma non troppo)11:07
13. 2. Szene am Bach (Andante moIto moto)13:41
14. 3. Lustiges Zusammensein der LandIeute (AlIegro)05:27
15. 4. Gewitter, Sturm (AlIegro)03:42
16. 5. Hirtengesang: Frohe und dankbare GefühIe nach dem Sturm (AIIegretto)10:15
1. The Norton Lectures 1973: "The Unanswered Question" Teil 4: The DeIights and Dangers of Ambiguity 
When l first wrote down the title...01:41
2. Part of the danger...02:02
3. The idea of ambiguity...01:32
4. SimilarIy, in our second Iecture...02:05
5. Then what's the magic secret...02:52
6. Enough of ambiguity...01:51
7. The irony of all this...02:07
8. But, mind you...01:53
9. Where music was concerned...01:28
10. Only think of...01:57
11. And Chopin: welI, we can't ignore Chopin...02:52
12. And then, in the same IittIe mazurka...01:55
13. Foolish questions...01:33
14. Let me try to read you...01:55
15. Listen to this...01:45
16. They began to intermingIe...01:29
17. The pivotaI point...01:39
18. So there is a dramatic change...01:50
19. So it is after all not so surprising...02:30
20. Now if you noticed...01:40
21. You see, the music is trying hard...01:44
22. So that instant in musicaI time...01:33
23. Now Romeo is aIl stirred up...03:00
24. Roméo et Juliette op. 17 (Romeo und JuIia, Dramatische Sinfonie) 
1. Roméo seul: Tristesse - Bruits de concerts et de BaI - Grand fête chez Capulet: Andante maIinconico e sostenuto04:29
25. 2. AIIegro - Larghetto espressivo01:57
26. 3. AlIegro02:21
27. 4. Réunion des deux thèmes, du Larghetto et de I'AlIegro03:45
28. The Norton Lectures 1973: "The Unanswered Question" TeiI 4: The DeIights and Dangers of Ambiguity 
What a piece...02:30
29. Quite unconsciousIy borrowed...01:49
30. My purpose in all this...02:25
31. ls it, says Wagner...02:15
1. Every diminished seventh chord...01:23
2. Now the remarkabIe thing is...02:54
3. And this is what gives Tristan...02:53
4. Tristan und IsoIde (Oper in 3 Akten) (Auszug) 
Vorspiel - Liebestod19:04
5. The Norton Lectures 1973: "The Unanswered Question" TeiI 4: The Delights and Dangers of Ambiguity 
That may be the sIowest performance...02:25
6. But uItimateIy...01:37
7. Poetry has begun to show...01:41
8. And when Debussy...01:36
9. It's loveIy, this dreaming...02:35
10. For exampIe, do you remember...01:44
11. ln fact, the ending of this piece...01:17
12. Let me show you briefly...02:07
13. This new episode that proceeds...01:23
14. For instance, hardIy have we had time...02:29
15. Because the scaIe...01:53
16. lt's aImost exactly what happens...01:51
17. LiteralIy transIated...01:35
18. But notice, too, that the exampIe...01:34
19. Both works have definitive beginnings...01:31
20. Listen as I pay...01:50
21. PréIude à l'après midi d'un faune (VorspieI zu Der Nachmittag eines Faun)10:24
22. The Norton Lectures 1973: "The Unanswered Question" Teil 4: The Delights and Dangers of Ambiguity 
Some crazy modern music...01:03
1. The Norton Lectures 1973: "The Unanswered Question" TeiI 5: The Twentieth Century Crisis 
Our Iecture tonight...00:18
2. Rhapsodie espagnoIe (Auszug) 
4. Feria06:33
3. The Norton Lectures 1973: "The Unanswered Question" Teil 5: The Twentieth Century Crisis 
What a way to enter the twentieth century...01:38
4. But 1908, if the truth be told...01:27
5. These troubling presentiments...02:18
6. So, now in 1908...02:10
7. This is atonaIity...02:30
8. A charming idea...00:27
9. The unanswered Question05:23
10. The Norton Lectures 1973: "The Unanswered Question" TeiI 5: The Twentieth Century Crisis 
Is that luminous final triad...02:16
11. l have recently been reading...01:59
12. We have already referred to some of those...03:01
13. In any case...01:57
14. But for aII these reasons...02:46
15. Son of Tristan...02:30
16. Now you Iook at those first two bars...02:19
17. Of course, there are lots...01:56
18. lt's as though a new covenant...01:39
19. TroubIe is, that the new musical rules...02:22
20. The kind of tonaI feeling...02:53
21. Of course, there are those who say...01:39
22. It seems somehow inevitable...02:17
23. Is there possibly the beginning...02:46
24. And what about Beethoven's Ninth...02:43
25. There are some of the problems...02:39
1. Now let's jump ahead...02:22
2. Let's put it another way...02:09
3. First of aII, Berg chose a tone row...01:54
4. So, alI in aIl...00:52
5. Konzert für VioIine und Orchester (Auszug)02:23
6. The Norton Lectures 1973: "The Unanswered Question" Teil 5: The Twentieth Century Crisis 
Fantastic...02:49
7. lt comes at a point...02:47
8. Konzert für VioIine und Orchester (Auszug) 
2. Allegro, ma sempre rubato02:53
9. The Norton Lectures 1973: "The Unanswered Question" Teil 5: The Twentieth Century Crisis 
lf this particularly demanding Iecture...01:20
10. If you reaIIy have been thinking...02:13
11. But while restudying this work...02:20
12. The twentieth century...01:38
13. What do you do if you know all this...02:34
14. lt's very strange, how the pieces...02:11
15. What exactly was this news...01:59
16. We emerge from a cinema...01:55
17. As you listen to this finale...02:34
18. This is MahIer...02:41
19. Sinfonie Nr. 9 D-Dur (Auszug) 
4. Adagio, sehr langsam und noch zurückhaItend23:00
1. The Norton Lectures 1973: "The Unanswered Question" Teil 6: The Poetry of Earth 
l know what you are thinking...01:52
2. What about this...01:27
3. I am pIaguing you with this question...01:45
4. Of course what he is reaIly taIking about...02:05
5. But it was precisely...01:57
6. Now I have just used two words...01:54
7. In fact, it was Satie, Picasso, and Cocteau...02:20
8. But our scene...01:53
9. Even in the most...02:02
10. For our purposes...02:11
11. Musicologists are aIways pointing...01:56
12. But bitonaIity does not onIy serve...02:20
13. Of course, poIytonaIity can and does...02:09
14. Now what's going on...02:20
15. And whiIe you are in that record shop...02:15
16. Of course, these asymmetries...01:53
17. Brutal it may be...01:31
18. Now, remember...01:59
19. These are two sets...01:59
20. Just cast an eye...02:44
21. Now that page of music...02:58
22. But the most striking semantic effect...01:39
23. This new aesthetic relaxation...02:10
24. Even some Germans...02:05
25. You can see how the transformation...01:55
26. Chomsky himself gives a classic example...02:08
27. Very important, the ironic element...02:38
28. So, it would seem...02:17
29. But this neocIassic approach...01:10
30. I think this is again a moment...02:06
31. lt's the essence...02:34
32. lf this poem were rewritten...01:19
1. Why have I digressed...01:45
2. Now can you understand...01:37
3. Untermeyer caIIed this...01:41
4. Of course, with The Waste Land...01:16
5. But the thing of it all is...01:31
6. We are going to hear...01:35
7. One has onIy learned to get...02:45
8. Now I propose onIy because...02:22
9. This union is possible only because...02:57
10. But what has aIl this to do with Stravinsky...02:21
11. And this is the essence...02:13
12. Look: here is a joke...02:01
13. ChiIling, shattering, neoclassic...01:45
14. Stravinsky's own aesthetic pronouncements...02:03
15. But of course he was forced...01:31
16. And now we are finaIly reading...02:36
17. And then Mozart appears...02:35
18. But this ecIecticism knows no bounds...01:45
19. Now aII this l had planned to teIl you...01:33
20. You think that's funny...02:42
21. How about that...02:55
22. Then came the answer...02:40
23. But why this particuIar misalIiance...01:22
24. My words are poor...01:57
1. Oedipus Rex (Oratorium) (Gesamtaufnahme) 
ProIog: You are about to hear a Latin version of Oedipous the King00:58
2. Caedit nos pestis (1. Akt)04:05
3. Liberi, vos liberabo03:29
4. This is Creon, brother-in-Iaw of Oedipus00:26
5. Respondit deus06:38
6. Oedipus questions the Fountain of Truth02:44
7. Dicere non possum05:22
8. GIoria!01:11
9. The dispute of the princes attracts the attention of Jocasta (2. Akt)02:10
10. Nonn' erubescite, reges04:25
11. Ne probentur oracuIa03:20
12. Ego senem cecici02:07
13. The witness to the murder comes out of the shadow00:44
14. Adest omniscius pastor04:32
15. Nonne monstrum rescituri03:24
16. And now you are going to hear that famous monolog...01:38
17. Divum Jocastae caput mortuum!03:09
18. Ecce! Regem Oedipoda02:46
19. The Norton Lectures 1973: "The Unanswered Question" Teil 6: The Poetry of Earth 
Va-Ie-di-co...02:06
20. During that decade...01:46
21. lt was at this point that I wrote...01:43
22. What interests me about it...02:15
23. ls it possibIe...01:51
24. It's as tough in the period...02:52
25. And l beIieve...02:40
Tracklisting kann vom Original abweichen.
 Empfehlungen... 
 Leonard Bernstein: Symphonies - (BLU-RAY)
 Tristan und Isolde - (BLU-RAY)
 Leonard Bernstein: Leonard Bernstein: The Pianist (11 Disc) - (Musik CD)
 Leonard Bernstein: Symphonies - (DVD - Code 2)
 Tristan und Isolde (3 DVD) - (DVD - Code 2)
 Verschiedene: Leonard Bernstein Remastered: 100 Cds (100 Disc) - (Musik CD)
 Verschiedene: Leonard Bernstein:portrait - (Musik CD)
 Leonard Bernstein: Reflections - (DVD - Code 2: Englandimport)
 Verschiedene: Leonard Bernstein: Complete R (9 Disc) - (Musik CD)
 Leonard Bernstein: West Side Story - (Musik CD)
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