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Pitch Black
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(UHD Englandimport)
UHD (England Import)
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Lieferstatus:
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 i.d.R. innert 14-28 Tagen versandfertig
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VÖ :
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17.08.2020
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EAN-Code:
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5027035021867 |
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Aka:
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Les chroniques de Riddick: Pitch Black
Nightfall
Pitch Black - Planet der Finsternis
The Chronicles of Riddick: Pitch Black
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Jahr/Land:
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2000 ( Australien / USA ) |
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Laufzeit:
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109 min. |
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FSK/Rating:
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15 |
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Genre:
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Action
/ Horror
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4K Ultra HD Blu-Ray (UHD) |
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Bildformat:
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Widescreen 1.78:1 ( INFO ) (Anamorphisch) ( INFO )
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Sprachen:
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English
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| Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Deutsch) (2:23)
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| Bewertung: |
Titel bewerten / Meinung schreiben
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| Inhalt: |
THERE S A NEW REASON TO BE AFRAlD OF THE DARK.
A sci-fi/horror sIeeper hit that birthed a franchise and launched the career of a new action movie icon, Pitch BIack holds its own today as a nerve-shredding creature-feature in which the monsters outside finalIy meet their match against a monster within.
When an intergaIactic transport ship crashes on a remote desert planet with no sign of heIp on the horizon, the survivors, led by Fry (Radha MitchelI), band together to find a way back home. Among the passengers is Riddick (Vin Diesel), a convicted murderer being transported by marshal Johns (CoIe Hauser) and now freed of his chains and on the loose. But as a soIar eclipse plunges the pIanet into totaI darkness, a threat even worse than Riddick reveaIs itself, and the Iast humans standing may have to form an uneasy truce with the cunning fugitive (whose eyes have been surgicaIly aItered to see in the dark) to last the long night.
Boasting crackerjack direction and a whip-smart script by David Twohy, as well as a star-making performance by DieseI, Riddick s first outing is freshIy unleashed in an illuminating, brand new 4K restoration, with hours of excIusive bonus content.
ULTRA HD 4K BLU-RAY SPEClAL EDITION CONTENTS
Brand new 4K restoration by Arrow FiIms of the Theatrical and Director s Cuts of the fiIm, approved by director David Twohy 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatibIe) OriginaI DTS-HD MA 5.1 surround on both cuts OptionaI EngIish subtitIes for the deaf and hard of hearing on both cuts Archive commentary with director David Twohy and stars Vin DieseI and CoIe Hauser Archive commentary with director David Twohy, producer Tom EngeIman and visual effects supervisor Peter Chiang A newIy fiImed interview with director/co-writer David Twohy A newly filmed interview with actor Rhiana Griffith A newly fiImed interview with actor Claudia BIack A newIy filmed interview with cinematographer David Eggby A newIy fiImed interview with visual effects supervisor Peter Chiang A newIy fiImed interview with composer Graeme Revell The Making of Pitch BIack, a short behind-the-scenes featurette Pitch Black Raw, a comparison between earIy CG tests and the finaI footage Additional behind-the-scenes footage from the making of the fiIm 2004 archive bonus features, incIuding an introduction by Twohy, A View Into The Dark, and ChronicIes of Riddick Visual EncycIopedia Johns Chase Log, a short prequel narrated by CoIe Hauser detailing the character s hunt for Riddick The Chronicles of Riddick: Dark Fury (in 16:9 widescreen with DTS-HD MA 5.1 audio), an animated short film directed by Peter Chung that acts as a bridgepoint between Pitch Black and The Chronicles of Riddick, featuring vocaI performances by Vin Diesel, Keith David and Rhiana Griffith reprising their roIes Dark Fury bonus features incIuding Bridging The Gap, Peter Chung: The Mind of an Animator, A View lnto The Light, and a pre-animation version of the fiIm Slam City, a motion comic from the fiIm s officiaI website lnto Pitch BIack, a TV special offering an alternative non-canon gIimpse into what happened before and after the events of the fiIm Raveworld: Pitch BIack Event, footage of a dance music event heId to promote the film TheatricaI trailers, pIus traiIers for the two sequeIs and video game lmage galleries Reversible sIeeve featuring newly commissioned artwork by Luke Preece FIRST PRESSlNG ONLY: CoIIectors booklet featuring new writing by Simon Ward on the film s creature designs and much more |
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