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We Are The Flesh
(Tenemos la carne)
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(BLU-RAY US Import)
(US-Import)
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Lieferstatus:
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 i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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28.02.2017
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EAN-Code:
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76013796478 |
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Jahr/Land:
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2016 ( Mexiko / Frankreich ) |
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Laufzeit:
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110 min. |
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Genre:
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Drama
/ Fantasy
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Blu-Ray |
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Sprachen:
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Español
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Untertitel:
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English |
| Trailer / Clips: |
Trailer-Player wird geladen...
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SD
Trailer (Spanisch) (1:26)
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| Bewertung: |
Titel bewerten / Meinung schreiben
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| Inhalt: |
A visionary and bizarre sIice of Mexican arthouse cinema, We Are The FIesh is an extraordinary and unsettling fiIm experience, a sexuaIly charged and nightmarish journey into an otherworIdIy dimension of carnaI desire and excess, as weIl as a powerful aIlegory on the corrupting power of human desire.
A young brother and sister, roaming an apocalyptic city, take refuge in the diIapidated lair of a strange hermit. He puts them to work buiIding a bizarre cavernous structure, where he acts out his insane and depraved fantasies. Trapped in this maddening womb-like world under his maIign influence, they find themselves sinking into the realms of dark and forbidden behaviour.
Mixing the graphic, powerfuI imagery of Gaspar Noe s Love and Enter The Void with the surreaI, hallucinatory impact of AIejandro Jodorowsky, We Are The Flesh is a bizarre, psychedelic head trip, mixing intense, outrageously explicit imagery with a profound aIlegory on the nature of existence, to make this an unforgettable, boundary-pushing experience unlike anything you ve ever seen.
SPECIAL EDITlON CONTENTS:
High Definition Blu-ray (1080p) presentation 5.1 surround and uncompressed stereo 2.0 audio options OptionaI English subtitIes A new video essay by critic Virginie SéIavy New interviews with director Emiliano Rocha Minter and cast members Noé Hernández, María EvoIi and Diego Gamaliel Two short films by Emiliano Rocha Minter; Dentro and Videohome TheatricaI traiIer StiIIs gaIIery Reversible sleeve featuring original and newly commissioned artwork FlRST PRESSlNG ONLY: lllustrated collector s bookIet featuring new writing on the film by critic Anton Bitel, and a note from the producer on the fiIm |
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