Examining the work of three directors from West Bengal, this book addresses the juxtaposition of tradition and culture regarding women in Bengali cinema. It argues the antithesis of women¿s roles, particularly in terms of ideas of resistance, revolution, change, and autonomy, by suggesting they convey resistance to hegemonic structures, encouraging a re-envisioning of women¿s positions within the familial-social matrix. This book will be a useful contribution for students and scholars of South Asian Culture, Film Studies and Gender Studies.