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Autor(en): 
  • Seyed Hossein Iradj Moeini
  • Mehran Arefian
  • Bahador Kashani
  • Golnar Abbasi
  • Urban Culture in Tehran: Urban Processes in Unofficial Cultural Spaces 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  September 2018  
    Genre:  Soziologie 
     
    B / Cities and towns—History / Cultural Studies / Culture / Earth and Environmental Science / Ethnology—Middle East / History# specific events & topics / History# specific events and topics / Middle Eastern Culture / Social groups# religious groups & communities / Sociology of Culture / Urban geography / Urban Geography / Urbanism (inc. megacities, cities, towns) / Urban Geography and Urbanism / Urban History
    ISBN:  9783319880433 
    EAN-Code: 
    9783319880433 
    Verlag:  Springer International Publishing 
    Einband:  Kartoniert  
    Sprache:  English  
    Serie:  The Urban Book Series  
    Dimensionen:  H 235 mm / B 155 mm / D 8 mm 
    Gewicht:  339 gr 
    Seiten:  192 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This book studies the production of urban culture in Tehran after 1979. It analyzes urban resistance and urban processes in underground cultural spaces: bookshops, cafes and art galleries. The intended audience is architects and urban planners interested in socio-political aspects of bottom-up space formation, but also those in humanities and particularly cultural studies. The idea of the book reflects architectural criticism and bottom-up processes of space formation. It analyzes alternative, non-official ways of forming cultural spaces in Tehran and the way they resist formally endorsed culture.

    Cafés, bookshops and galleries, each take various and different sets of strategies to constitute their territory and their communities within the city. From temporarily occupying street corners (booksellers) to constitution of an underground network of unfixed meeting points, to using the modern paradigms of ownership and the idea of private property, primarily as a political toolfor management, to claim a safe alternative sphere of art, and finally to semiotic spatial codifications of spaces to make them as a safe gathering places taking food as a means. All these three cultural spaces deal with various conditions to form specific forms of resistance practices, throughout processes that leave their spatial traces on the city.

      
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