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Autor(en): 
  • Markus Widmer
  • Time in "Tristram Shandy" 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  November 2008  
    Genre:  Sprache 
    ISBN:  9783640202744 
    EAN-Code: 
    9783640202744 
    Verlag:  Grin Verlag 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 210 mm / B 148 mm / D 2 mm 
    Gewicht:  40 gr 
    Seiten:  16 
    Zus. Info:  Booklet 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Essay from the year 1998 in the subject English Language and Literature Studies - Literature, grade: 1 (A), University of Aberdeen (English Department), course: Tristram Shandy, language: English, abstract: Metafiction, according to Patricia Waugh, consists of ¿the construction of a fictional illusion (as in traditional realism) and the laying bare of that illusion¿. Tristram Shandy, I will argue in this essay, undermines fictional illusion by foregrounding ¿the most fundamental set of all narrative conventions: those concerning the representations of time¿ (Waugh 70). I will exemplify this by trying to apply a conventional set of narratological terms to Tristram Shandy. I will show that these terms, which are based on conventional narratives, are neither exhaustive nor distinctive when one tries to use them for Tristram Shandy. Narrative fiction, Rimmon-Kenan states, has three main aspects: story, text and narration: ¿Story¿ designates the narrated events, abstracted from their disposition in the text and reconstructed in their chronological order, together with the participants in these events. Whereas ¿story¿ is a succession of events, ¿text¿ is a spoken or written discourse which undertakes their telling. ... Time is essential for all of these three aspects, as will become clear in my discussion. Time in itself, following Rimmon-Kenan, can be viewed in three respects: order, duration, and frequency (p. 46). I will focus on the first two aspects since they are more essential to the novel than frequency.4 Finally, I will discuss whether, after my discussion of Tristram Shandy¿s time structure, one can conclude that the novel is a metafiction according to Waugh¿s definition of the term.

      



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