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Autor(en): 
  • Elizabeth Weil
  • Clemantine Wamariya
  • The Girl Who Smiled Beads 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht
     
    Lieferstatus:   i.d.R. innert 2-7 Tagen versandfertig
    Veröffentlichung:  April 2018  
    Genre:  Geschichte / Politik / Kultur 
     
    Flucht # Berichte, Erinnerungen / Kindheit # Berichte, Erinnerungen
    ISBN:  9781786331465 
    EAN-Code: 
    9781786331465 
    Verlag:  Random House Uk 
    Einband:  Gebunden  
    Sprache:  English  
    Dimensionen:  H 222 mm / B 138 mm / D 32 mm 
    Gewicht:  609 gr 
    Seiten:  288 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    The New York Times bestseller

    ***As heard on BBC Radio 4 Woman's Hour, BBC Breakfast, and BBC Radio 5 Live***

    A riveting tale of dislocation, survival, and the power of stories to break or save us

    Clemantine Wamariya was six years old when her mother and father began to speak in whispers, when neighbours began to disappear, and when she heard the loud, ugly sounds her brother said were thunder. In 1994, she and her fifteen-year-old sister, Clare, fled the Rwandan massacre and spent the next six years wandering through seven African countries, searching for safety-perpetually hungry, imprisoned and abused, enduring and escaping refugee camps, finding unexpected kindness, witnessing inhuman cruelty. They did not know whether their parents were dead or alive.

    When Clemantine was twelve, she and her sister were granted refugee status in the United States, where she embarked on another journey, ultimately graduating from Yale. Yet the years of being treated as less than human, of going hungry and seeing death, could not be erased. She felt at the same time six years old and one hundred years old.

    In The Girl Who Smiled Beads, Clemantine provokes us to look beyond the label of 'victim' and recognize the power of the imagination to transcend even the most profound injuries and aftershocks. Devastating yet beautiful, and bracingly original, it is a powerful testament to her commitment to constructing a life on her own terms.
      
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