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Autor(en): 
  • Mark Lee Luther
  • The Crucible (Classic Reprint) 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht
     
    Lieferstatus:   i.d.R. innert 5-10 Tagen versandfertig
    Veröffentlichung:  September 2015  
    Genre:  Kinder- / Jugendbücher 
    ISBN:  9781331151692 
    EAN-Code: 
    9781331151692 
    Verlag:  Forgotten Books 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 19 mm 
    Gewicht:  488 gr 
    Seiten:  364 
    Zus. Info:  23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Excerpt from The Crucible the girl heard the key rasp in the lock and the door open, but she did not turn. "When I enter the room, rise," directed an even voice. The new inmate obeyed disdainfully. The superintendent, a middle-aged woman of precise bearing and crisp accent, took possession of the one chair, and flattened a note-book across an angular knee. "Is Jean Fanshaw your full name?" she began. "I'm called Jack." "Jack!" The descending pencil paused disapprovingly in mid-air. "You were committed to the refuge as Jean." "Everybody calls me Jack," persisted the girl shortly - "everybody." "Does your mother?" Her face clouded. "No," she admitted; "but my father did. He began it, and in like it. Why isn't it as good as Jean? Both come from John." "It is not womanly," said Miss Blair, as one having authority. "Women of refinement don't adopt men's names." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

      
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