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Herausgeber: 
  • Nichola Dobson
  • Honess Roe Annabelle
  • Ratelle Amy
  • Ruddell Caroline
  • The Animation Studies Reader 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  November 2018  
    Genre:  Architektur, Archäologie, Kunst 
     
    Animated Films / Animated films and animation / Film history, theory or criticism / Film Theory & Criticism / PERFORMING ARTS / Animation / PERFORMING ARTS / Film / General / PERFORMING ARTS / Film / History & Criticism
    ISBN:  9781501332616 
    EAN-Code: 
    9781501332616 
    Verlag:  Bloomsbury Academic 
    Einband:  Gebunden  
    Sprache:  English  
    Dimensionen:  H 232 mm / B 154 mm / D 24 mm 
    Gewicht:  660 gr 
    Seiten:  352 
    Illustration:  1 bw illus 
    Zus. Info:  Hardback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.

      



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