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  • Harold Chapin
  • Soldier and Dramatist: Being the Letters of Harold Chapin, American Citizen Who Died for England at Loos on September 26th 1915, With Two Portraints ( 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht
     
    Lieferstatus:   i.d.R. innert 5-10 Tagen versandfertig
    Veröffentlichung:  Juli 2015  
    Genre:  Kinder- / Jugendbücher 
    ISBN:  9781331788744 
    EAN-Code: 
    9781331788744 
    Verlag:  Forgotten Books 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 16 mm 
    Gewicht:  403 gr 
    Seiten:  298 
    Zus. Info:  23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Excerpt from Soldier and Dramatist: Being the Letters of Harold Chapin, American Citizen Who Died for England at Loos on September 26th 1915, With Two Portraints

    His family is of old New England stock, de scended from Huguenot refugees, and there are family legends of an Indian princess who married one of his ancestors. With his characteristic love of the picturesque, Harold always insisted on the reality of his Indian ancestress.

    His mother was a Unitarian, and it was in this faith that he was reared. In the autumn of 1888, Mrs. Chapin brought her baby son to Europe. They stayed for a little while in Paris, and, before he was three years of age, they came to London. It was in England that Harold Chapin lived the rest of his life.

    About the Publisher

    Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

    This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

      
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