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  • Carrie Tarr
  • Reframing Difference: Beur and Banlieue Filmmaking in France 

    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!

    Lieferstatus:   i.d.R. innert 5-10 Tagen versandfertig
    Veröffentlichung:  2005  
    Genre:  Architektur, Archäologie, Kunst 
    ISBN:  9780719068775 
    Verlag:  Manchester University Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 234 mm / B 156 mm / D 13 mm 
    Gewicht:  346 gr 
    Seiten:  242 
    Zus. Info:  449:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Matte Lam 
    Bewertung: Titel bewerten / Meinung schreiben
    'Reframing difference' is the first major study of two overlapping strands of contemporary French cinema, 'cinéma beur' (films by young directors of Maghrebi descent) and 'cinéma de banlieue' (films set in France's disadvantaged outer-city housing estates). These films mobilise the voices and narratives of France's most stigmatised postcolonial others to address issues of ethnicity and difference which are central to today's debates about what it means to be French.

    Carrie Tarr's insightful account of the development of 'beur' and 'banlieue' filmmaking - from the 1980s to the present and from the margins to the mainstream - draws on a wide range of films, including Mehdi Charef's 'Le Thé au harem d'Archimède' (Tea in the Harem), Mathieu Kassowitz's 'La Haine' (Hate) and Djamel Bensalah's hit comedy, 'Le ciel, les oiseaux... et ta mère' (Boys on the Beach). Her analyses compare the work of male and female, majority and minority filmmakers at particular junctures, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that films by directors of Maghrebi descent challenge and reframe the symbolic spaces of French culture.

    This timely book is essential reading for all those interested in the relationship between cinema and citizenship in a multicultural society.

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