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Autor(en): 
  • Robin D. Gill
  • Orientalism and Occidentalism: Is the Mistranslation of Culture Inevitable? 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 14-24 Tagen versandfertig
    Veröffentlichung:  Januar 2004  
    Genre:  Geschichte / Politik / Kultur 
    ISBN:  9780974261829 
    EAN-Code: 
    9780974261829 
    Verlag:  Paraverse Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 248 mm / B 192 mm / D 11 mm 
    Gewicht:  349 gr 
    Seiten:  180 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    1. Identity - collective -- Japan 2. Orientalism -- Occidentalism 3. Intercultural communication - stereotypes 4. Translation theory - Japanese/English 5. Japanese - sociolinguistics Languages exotic to one another, such as English and Japanese, create false images of their respective speakers which form and confirm stereotypes that can be denied by Cultural Relativism but not disproved, much less vanquished. Being in denial is not the same as being cured. This book, like the author's seven books published in Japan/ese, treats prejudice by uncovering its roots and exposing them to the healthy light of reason. At the same time, it rethinks Orientalism together with Occidentalism by including the Sinosphere's perspective of what is East and West. While students of translation, sociolinguistics and cross-cultural studies may benefit most from the discussion (there are copious notes and indices of names and of ideas), the heart of the work is pure essay, "a work of travel by the path of language" that "leads us through delicious nuances . . . into important mysteries." Robin D. Gill is an American, who began to study Japanese as an adult and published his first seven books in that language while working as an acquisitions editor and translation checker of fine nonfiction for Japanese publishers. His most recent book, and first in English, Rise, Ye Sea Slugs! boasts close to 1000 holothurian haiku. The three most common adjectives used by reviewers describing him and his work are "eclectic," "erudite" and "fun."

      
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