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Herausgeber: 
  • Janina Wildfeuer
  • Sindoni Maria Grazia
  • O'Halloran Kay
  • Mapping Multimodal Performance Studies 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht

    Auf mobile öffnen
     
    Lieferstatus:   Auf Bestellung (Lieferzeit unbekannt)
    Veröffentlichung:  Dezember 2016  
    Genre:  Sprache 
     
    Communication Studies / Cross-cultural Case Studies / cultural performance analysis / Discourse Studies / Embodied Communication / LANGUAGE ARTS & DISCIPLINES / Linguistics / General / Language# reference and general / Linguistics
    ISBN:  9781138657748 
    EAN-Code: 
    9781138657748 
    Verlag:  Taylor and Francis 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  Routledge Studies in Multimodality  
    Dimensionen:  H 229 mm / B 152 mm / D  
    Gewicht:  430 gr 
    Seiten:  224 
    Illustration:  schwarz-weiss Illustrationen, Raster,schwarz-weiss, Zeichnungen, schwarz-weiss, Tabellen, schwarz-weiss, Tabellen, farbig 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    This book considers the semiotics practices at play in the performing arts and applies multimodal approaches commonly used in fields such as linguistics and literary theory to investigate and unpack the different semiotic resources that emerge from its various forms. The performing arts constitute dynamic and interactive environments that produce meaning on multiple levels, both in the forms themselves, but also within them, such as through the interactions in the actual performances, mise-en-scéne, lighting, music, and audience engagement, thereby providing a rich resource of theoretical avenues to explore through a multimodal approach. The first part of the volume details a number of theoretical and analytical frameworks, including social semotics, systemic functional theory, and pragmatics, and applies them to case studies taken from different performing arts, including dance; music, video, and film; and art exhibitions. The second part of the book looks at these different frameworks in practice in a number of sociocultural contexts, including explorations of 360 immersive video experiences in education, gender and sexuality in performance, and discursive performances about death. Combining a rigorous engagement with theoretical issues and empirical analyses of up-to-date case studies from a variety of performing arts, this book is an essential resource for scholars and researchers in multimodality, linguistics, performing arts, sociosemiotic studies, and communication.

      



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