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  • Guide to an Exhibition of Mezzotint Engravings: Chiefly From the Cheylesmore Collection (Classic Reprint) 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht
     
    Lieferstatus:   i.d.R. innert 5-10 Tagen versandfertig
    Genre:  Architektur, Archäologie, Kunst 
    ISBN:  9781332055715 
    EAN-Code: 
    9781332055715 
    Verlag:  Forgotten Books 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 4 mm 
    Gewicht:  126 gr 
    Seiten:  84 
    Zus. Info:  23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Excerpt from Guide to an Exhibition of Mezzotint Engravings: Chiefly From the Cheylesmore Collection

    With these the exhibition closes. S. W. Reynolds, Turner, and Say continued to practise their art long after the date of their work here shown; but like all other manifestations of English art, except landscape in the hands of Turner and Constable, mezzotint suffered a distressing deterioration about and after 1820. In that year Say first tried his hand at mezzotint engraving on steel for commercial purposes the method was quickly adopted by others; the effect was a great loss of richness and quality; the manufacture of paper also deteriorated; and worst of all was the deterioration of the models which the portrait and other painting of the day furnished to the engraver. Amid the general decline, work good of its kind was furnished under the new conditions by two men, the long-lived Samuel Cousins, and especially by David Lucas in his admirably spirited prints after Constable. But these fall outside the scope and purpose of the present exhibition.

    About the Publisher

    Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

    This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

      
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