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Autor(en): 
  • Hollis Robbins
  • Forms of Contention: Influence and the African American Sonnet Tradition 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 2 Artikel!


    Übersicht

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    Lieferstatus:   i.d.R. innert 7-14 Tagen versandfertig
    Veröffentlichung:  Juli 2020  
    Genre:  Romane, Erzählungen, Gedichte 
    ISBN:  9780820357645 
    EAN-Code: 
    9780820357645 
    Verlag:  University of Georgia Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 16 mm 
    Gewicht:  437 gr 
    Seiten:  266 
    Zus. Info:  Paperback 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Forms of Contention argues for the centrality of sonnet writing to African American poetry, focusing on significant sonnets, key anthologies, and critical debates about poetic form to show that the influence of black sonnet writers on each other challenges long-standing claims that sonnet writing is primarily a matter of European influence. The banishment of much nineteenth- and twentieth-century formal poetry from the black poetry canon in the 1960s because it was too "traditional" long concealed the African American sonnet's legacy. In the twenty-first century, the sonnet has blossomed as a black poetic form, even while sonnet writers rarely acknowledge the rich history of black sonnets. With digital technology, a century of sonnets published in African American newspapers has reemerged to reveal surprising patterns of influence. Historically, academic study of African American literature has focused on four concerns: the historical and economic conditions of production and publication of black literature; the political and cultural importance of black literature in America; genres of and trends in black literature; and the nature of African American literature as reflective of the black experience. Hollis Robbins engages with these concerns while opening up a fifth conversation: auxiliary genealogies of influence for black aesthetic production that foreground form and that promote new conversations about form generally--namely, how exactly form enables participation and protest and the overthrow and undermining of aesthetic expectation. Thus, Robbins uses the sonnet as a case study for exploring the broader literary history of African American literature, offering a thorough analysis of the contentious relationship of an old-world poetic form to new world poetry.

      
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