Übersicht			Auf mobile öffnen

Lieferstatus:	Auf Bestellung (Lieferzeit unbekannt)
Veröffentlichung:	August 2016
Genre:	EDV / Informatik
	Application software / Arts / B / Computer and Information Systems Applications / Computer Appl. in Arts and Humanities / Computer applications in the arts & humanities / Computer applications in the arts and humanities / Computer applications in the social and behavioural sciences / Computer Imaging, Vision, Pattern Recognition and Graphics / computer science / Cultural Heritage / Cultural Studies / Optical data processing / Social & cultural history / The arts# general issues / User interface design & usability / User interfaces (Computer systems) / User Interfaces and Human Computer Interaction mehr...
ISBN:	9781447172352
EAN-Code:	9781447172352
Verlag:	Springer EN
Einband:	Kartoniert
Sprache:	English
Serie:	Springer Series on Cultural Computing
Dimensionen:	H 235 mm / B 155 mm / D
Gewicht:	5181 gr
Seiten:	291
Illustration:	XII, 291 p. 130 illus., 92 illus. in color., farbige Illustrationen, schwarz-weiss Illustrationen
Zus. Info:	EUDR exemption - product or manufacturing materials placed on the market prior to 31.12.2025.
Bewertung:	Titel bewerten / Meinung schreiben

Inhalt:

Presenting the latest technological developments in arts and culture, this volume demonstrates the advantages of a union between art and science. Electronic Visualisation in Arts and Culture is presented in five parts:Imaging and CultureNew Art PracticeSeeing MotionInteraction and Interfaces Visualising HeritageElectronic Visualisation in Arts and Culture explores a variety of new theory and technologies, including devices and techniques for motion capture for music and performance, advanced photographic techniques, computer generated images derived from different sources, game engine software, airflow to capture the motions of bird flight and low-altitude imagery from airborne devices.The international authors of this book are practising experts from universities, art practices and organisations, research centres and independent research. They describe electronic visualisation used for such diverse aspects of culture as airborne imagery, computer generated art based on the autoimmune system, motion capture for music and for sign language, the visualisation of time and the long term preservation of these materials. Selected from the EVA London conferences from 2009-2012, held in association with the Computer Arts Society of the British Computer Society, the authors have reviewed, extended and fully updated their work for this state-of-the-art volume.