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Autor(en): 
  • Jordana Mendelson
  • Documenting Spain: Artists, Exhibition Culture, and the Modern Nation, 1929-1939 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht
     
    Lieferstatus:   i.d.R. innert 14-24 Tagen versandfertig
    Veröffentlichung:  2005  
    Genre:  Architektur, Archäologie, Kunst 
    ISBN:  9780271024745 
    EAN-Code: 
    9780271024745 
    Verlag:  Pennsylvania State University Press 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 205 mm / B 249 mm / D 22 mm 
    Gewicht:  1118 gr 
    Seiten:  312 
    Illustration:  139 Illustrations, unspecified; 27 Halftones, color 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Espanol, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Bunuel's and Dali's documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso's famed painting of the Fascist bombing of a Basque town-Guernica-was exhibited along with monumental photomurals by Joseph Renau. Based upon years of archival research, Mendelson's book opens a new perspective on the cultural politics of a turbulent era in modern Spain. It explores the little-known yet rich intersection between avant-garde artists and government institutions. It shows as well the surprising extent to which Spanish modernity was fashioned through dialogue between the seemingly opposed fields of urban and rural, fine art and mass culture.

      



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