Übersicht			Auf mobile öffnen

Lieferstatus:	Auf Bestellung (Lieferzeit unbekannt)
Veröffentlichung:	Juni 2000
Genre:	Musik
	16th century, c 1500 to c 1599 / Art music, orchestral and formal music / c 1000 CE to c 1500 / c 1500 to c 1600 / counterpoint theory / early music pedagogy / Europe / fifteenth-century music research / improvisation techniques / Medieval & Renaissance music (c 1000 to c 1600) / Medieval style / MUSIC / Genres & Styles / Classical / music printing history / polyphonic composition / Renaissance musicology / Renaissance style mehr...
ISBN:	9780860788317
EAN-Code:	9780860788317
Verlag:	Taylor and Francis
Einband:	Gebunden
Sprache:	English
Serie:	Variorum Collected Studies
Dimensionen:	H 229 mm / B 152 mm / D
Gewicht:	810 gr
Seiten:	352
Bewertung:	Titel bewerten / Meinung schreiben

Inhalt:

The first articles here focus on Johannes Tinctoris, the prominent late 15th-century music theorist. They deal with the discovery of his lost pedagogical motet, and his treatise on counterpoint; this forms the basis of a wide-ranging investigation of contemporary practices of improvisation and composition (singing super librum and writing res facta), in which the question of 'successive' and 'simultaneous' composition is reconsidered. Tinctoris's sometimes sharp rebukes to famous composers are also investigated in the context of works by Ockeghem. Ottaviano Petrucci's first publication of music, the 'Odhecaton' of 1501, is the subject of another three articles. These identify the editor of the work, and make new proposals on the provenance and editing of this repertory. The last article presents an edition of a treatise of ca. 1600 in the form of a letter from the virtuoso cornettist Luigi Zenobi to an unknown prince, which offers new insights on the change in performance practice at the end of the Renaissance.