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  • Amherst College Alumni Counc Quarterly
  • Amherst Graduates Quarterly, Vol. 3: October, 1913 to June, 1914 (Classic Reprint) 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


    Übersicht
     
    Lieferstatus:   i.d.R. innert 5-10 Tagen versandfertig
    Genre:  Lexika / Nachschlagewerke 
    ISBN:  9781331884484 
    EAN-Code: 
    9781331884484 
    Verlag:  Forgotten Books 
    Einband:  Kartoniert  
    Sprache:  English  
    Dimensionen:  H 229 mm / B 152 mm / D 18 mm 
    Gewicht:  457 gr 
    Seiten:  340 
    Zus. Info:  23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Excerpt from Amherst Graduates Quarterly, Vol. 3: October, 1913 to June, 1914

    Walter A. Dyer, who writes the article At the Sign of the Big. Red Apple, is one of the editorial staff of Country Life in America.

    Garrett W. Thompson, who writes the sonnets on page 28, is professor of German in the University of Maine, Orono, Me.

    Ernest G. Draper, who writes about The Pleasures of an Amateur Print Col lector, is in business in New York City.

    Herbert L. Bridgman, who gave the speech on President Emeritus George Harris, is a distinguished journalist of Brooklyn, N. Y.; prominent also for his interest in Arctic exploration.

    The writer of the review of Mr. Boynton's book modestly desires to remain anony mous.

    H. DE F. Smith, who reviews Mr. Field's book, is professor of Greek in Amherst College.

    About the Publisher

    Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

    This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

      
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