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Autor(en): 
  • David Pantalony
  • Altered Sensations: Rudolph Koenig's Acoustical Workshop in Nineteenth-Century Paris 
     

    (Buch)
    Dieser Artikel gilt, aufgrund seiner Grösse, beim Versand als 3 Artikel!


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    Lieferstatus:   i.d.R. innert 4-7 Tagen versandfertig
    Veröffentlichung:  November 2009  
    Genre:  Psychologie / Pädagogik 
    ISBN:  9789048128150 
    EAN-Code: 
    9789048128150 
    Verlag:  Springer-Verlag GmbH 
    Einband:  Gebunden  
    Sprache:  English  
    Serie:  #24 - Archimedes  
    Dimensionen:  H 242 mm / B 164 mm / D 38 mm 
    Gewicht:  740 gr 
    Seiten:  372 
    Illustration:  60 black & white illustrations 
    Bewertung: Titel bewerten / Meinung schreiben
    Inhalt:
    Rudolph Koenig was one of the more prolific and colourful instrument makers in the renowned nineteenth-century precision instrument trade of Paris. Beginning his career as a violin maker, in 1858 the young Prussian immigrant shifted his talents towards the growing field of acoustics. Altered Sensations is a portrait of his vibrant atelier, a place of construction, commerce and experiment. For over forty years it was also a popular meeting place for scientists, artisans, musicians and teachers. Using archival and collection research from across North American and Europe, David Pantalony has traced the material and social influences of this space on the development of modern acoustics. In particular, he has detailed the manner in which Koenig modified, extended, spread and challenged Hermann von Helmholtz's Sensations of Tone.

    A large part of the research on Koenig comes from the actual products of his workshop which survive in museums and collections around the world. The second section of Altered Sensations provides a Catalogue Raisonné of Koenig's entire line of instruments, including their history, details from specific examples, locations, and references in the literature. This catalogue will serve as a practical guide for curators and researchers as well as a comprehensive overview of nineteenth-century acoustical practice.

      
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